Moby - Beautiful including Benny Benassi dub (2005)

Moby Beautiful including Benny Benassi dub (2005) Genre: house

Tracklist:

1. Beautiful (Benny Benassi remix)
2. Beautiful (Laurent Konrad remix)
3. Beautiful (Benny Benassi dub)

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About this artist

Moby   / artists (M) Real Name: Richard Melville Hall Profile: Born : September 11, 1965 // New York, NY, United States One of electronic music's most visible and talked-about figures by far, Moby's career comprises many years of work and many many musical twists and turns. His career stretches all the way back to early rave and acid-house releases in the late 80's and early 90's as U.H.F. and Voodoo Child, through to his much loved/hated r&b/blues/pop/techno sample cut-ups of today.His most notable tracks from his early days include "Next Is The E", "Everytime You Touch Me" and "Into The Blue", and the classic "Go", as well as his early albums "Ambient" and "Early Underground". A brief outing into more rock-oriented territory came with 1996's "Animal Rights", followed by "I Like To Score" in 1997, highlighting his past movie score contributions (most notably a remix of the "James Bond Theme").In 1999 and 2000, Moby found unprecedented pop success with the album "Play" and the slew of singles and radio tracks that came from it ("Honey", "Run On", "Why Does My Heart Feel So Bad?", "Natural Blues", "Porcelain", "Southside", and more). Among other things, his appearance as a DJ in the foyer of the 2000 MTV Video Music Awards (wearing a gold suit and playing two golden copies of "Play") led many people to decry him as a sellout. Nonetheless, his follow-up album "18" tinkered very little with the "Play" sound and still received a mostly positive reception in 2002.Besides the many faces of his music, Moby also gathers controversy for his outspoken religious, dietary and animal rights views, as well as persistent rumors that his live shows are mostly pre-recorded. Every Moby release from the mid-90's onward has borne the text "Animals are not ours to eat, wear or experiment on. Thanks to Christ." URLs: http://www.moby.com http://www.myspace.com/moby http://www.mobyhotel.com http://www.go-moby.net http://www.go-moby.fr http://www.go-moby.de http://www.moby-forum.de http://www.moby-musik.de http://www.moby.org Aliases: Barracuda, Brainstorm (3), Brotherhood, The (4), DJ Cake, Lopez, Mindstorm (2), Richard M. Hall, U.H.F., Voodoo Child In Groups: AWOL (4), Pork Guys, The, Schaumgummi, Shopwell, Vatican Commandos Name Variations: All |Moby| DJ Moby| Evil Ninja Moby

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(from discogs.com)

Moby bio:

Moby was one of the most controversial figures in techno music, alternately praised for bringing a face to the notoriously anonymous electronic genre, as well as being scorned by hordes of techno artists and fans for diluting and trivializing the form. In either case, Moby was one of the most important dance music figures of the early '90s, helping bring the music to a mainstream audience both in England and in America. Moby fused rapid disco beats with heavy distorted guitars, punk rhythms, and detailed productions that drew equally from pop, dance, and movie soundtracks. Not only did his music differ from both the cool surface textures of ambient music and the hedonistic world of house music, but so did his lifestyle; Moby was infamous for his devout, radical Christian beliefs, as well as his environmental and vegan activism. "Go" became a British Top Ten hit in 1991, establishing him as one of the premier techno producers. By the time he came to the attention of American record critics with 1995's Everything Is Wrong, his following from the early '90s had begun to erode, particularly in Britain. Nevertheless, he remained one of the most recognizable figures within techno; after he abandoned the music for guitar rock with 1996's Animal Rights, he returned to a heavy electronic base with 1997's I Like to Score and 1999's Play, the latter of which made him a genuine breakout pop star.

Born Richard Melville Hall, Moby received his nickname as a child; it derives from the fact that Herman Melville, the author of Moby Dick, is his great-great grand uncle. Moby was born and raised in Darien, CT, where he played in a hardcore punk band called the Vatican Commandos as a teenager. Later, he briefly sang with Flipper, while their singer was serving time in jail. He briefly attended college, before he moved to New York City, where he began DJing in dance clubs. During the late '80s and 1990, he released a number of singles and EPs for the independent label Instinct. In 1991, he set the theme from David Lynch's television series Twin Peaks to an insistent, house-derived rhythm and titled the result "Go." The single became a surprise British hit single, climbing into the Top Ten. Following its success, Moby was invited to remix a number of mainstream and underground acts, including Michael Jackson, Pet Shop Boys, Brian Eno, Depeche Mode, Erasure, the B-52's, and Orbital.

Moby continued performing at dances and raves throughout 1991 and 1992, culminating in a set at 1992's Mixmag awards where he broke his keyboards at the end of his concert. Moby, his first full-length album, appeared in 1992. In 1993, he released the double A-side single "I Feel It" / "Thousand," which became a moderate U.K. hit. According to the Guinness Book of Records, "Thousand" is the fastest single ever, appropriately clocking in at 1000 beats a minutes. That same year, Moby signed a record contract with Mute and his first release was Ambient, which compiled unissued material recorded between 1988 and 1991. Later that year, The Story So Far, a collection of singles released on Instinct, appeared. In 1994, the single "Hymn" -- one of the first fusions of gospel, techno and ambient music -- was released.

In 1994, Moby signed a major-label contract with Elektra Records in the U.S. Everything Is Wrong, his first album released under the deal, appeared in the spring of 1995 to uniformly excellent reviews, especially in the American press, who had previously ignored him. Despite the promotional push behind the album and his popular sets at the 1995 Lollapalooza, the album wasn't a commercial success. The following year, Moby suddenly abandoned techno to record heavy guitar rock for Animal Rights, which received mixed reviews. A partial return to electronica, 1997's I Like to Score, was followed by 1999's Play. Surpassing everyone's expectations, the album became a platinum hit and reached number one in the U.K., while Play's tracks were licensed by dozens of advertisers and compilers. Likewise, 2002's 18 and 2005's Hotel cemented Moby's popularity as a purveyor of electronica-pop. ~ Stephen Thomas Erlewine, All Music Guide (from mp3.com)